NOTE ! this is a long bit of writing, I see from the statistics it get a lot of views and I’m concerned folk don’t return and spend time on the actual blog main page where all the art is!!! This is purely my thoughts on techniques and maybe how to bring drawing back into your life. So if you make it through this do go back and see the actual blog, or save this part for later…. Thanks
I can only share my personal thoughts on this, im no expert & I don’t think anyone should have the audacity to give themselves expert status on this subject. You can only get better, there is no top of the mountain, just wee ledges where you might rest or stop. Depends on the view, and supplies and time.
So first off this statement i formulated late one night while I had a wee exhibition on. I must of been in a really good mood and speaking to nice people. This is how it went….
”as long as the base creative idea is solid, then regardless of skills that idea should be visible in the creation. If you can think it (visualise it), you can draw it.
Your skills will improve with time & technique development, the ability to conceive grander ideas will come with that development but its the existence of that basic creative flame we ALL hold that that makes everyone an artist. Flame Development is the key.”
So that was the thinking, over time you create a mental tool box of ideas & techniques, this starts from the first time you scribble crayons on paper when your a kid. But you have to keep that box open or it closes and locks up but I think its always there to be re-opened.
I totally think its our base human nature to want to create (in whatever way) but the social ‘system’ we seem to have globally perused makes that option not so easy to follow.
Tapping into the inner creativity? I think there is nothing more than a positive force & a negative force. My friend had an idea about a third being a ‘random’ force that is a kind of spanner in the works but that’s another story.
Ill stick to my 2 forces just now, I think these are rivers and as a artist you can tap into the river and it flows through you. The artist is merely the transmitter for the positive, or negative, energy.
Sometimes you hit it (or i guess it hits you), strangely you never realise until you come out of it, the ”i was totally zoned just there” moment.
Im not sure you can be aware or deliberately tap this force, it just happens more frequently the more time you spend creating.
Well enough of the spacey thoughts. This post is my ideas on the concept of how to draw.
Where to start?
1 – The Fear. Number one, that’s the first problem. So you can only draw a stick man, badly. Yeah that’s because the last time you had fun being creative was when you were 3yrs old before school labelled you as a ‘cant draw’.
Well what age are you now? it been a while eh?
You can draw. Everyone can draw. I still get locked by the fear, well sometimes you just gotta know when to walk away. If it aint the time it aint the time, you cant force it. You gotta know when to hold em, know when to fold em. But sometimes you gotta get your finger out your arse and just do something. I generally find feeling creative comes with felling good, go see a band. Feel good. Eat something healthy.
2 – So you need some paper to draw on. This is mistake number one I think I made, maybe folk would back me up? You go into the art shop….so many things. Well ill get a sketch book. This is such a prison creator. Until your at a certain level I think the sketch book is a negative item. You open it up, its all fresh and new. Your on page one…there are so many pages. You don’t want to make a mess, you make a mess…do you rip that page out? you wanna do something ‘good’.
Balls to sketch books i say. Use the cheapest paper you can get. Buy a pack of printer paper from a stationary shop. you don’t like what you drew, screw it up and burn it. You make some nice marks stick it in a wee folder, that’s an idea for later. As i said before everything you do, good or bad, goes into a mental tool box of ideas. Ways to make marks and how to do things. This is built up over a long time and this is how you find and develope a style i guess.
When your feeling confident get a canvas. They are sooo cheap these days just go for it. Hell if its a disaster BURN IT. no loss really. Dont be precious about it, i know thats hard to say if your short on cash but when you pull something magic out the bag, its worth all those fires.
3 – So you got some paper, what’s next? The tools. I think it takes some time to find what you will enjoy using to create and there is heaps of choices.
Well tool number one is your hand. Its asleep. You first try learn the guitar, that first chord getting your fingers in that funny position.
Its hard but that because your hand is asleep and stiff, after a while its a piece of cake to be honest & you move naturally from G to D and ..fffff damn that’s hard. F.
You get there basically. Its just time.
So don’t worry your hand will wake up, this is just a problem of time and becoming familiar with the pencil or the brush. Its weight, the desired angle all little things you will subconsciously take on & learn.
So you hand is tool number one, other tools well best to start with a pencil. Why not. DO NOT buy a fancy tin of all the pencils. Balls to the tin of pencils. You want a HB, maybe a 5B. Light & dark. There are subtle differences in graphite grades and how they take on the paper & on top of each other. Thats something that is another time factor. Keep it simple. When you find yourself needing a tool then you go look for it. Until such times you don’t need it. Hell i remember mostly drawing with a biro pen first off, scribbles and sketches in the sides of my school books. Yeah start with a biro is amazingly versatile.
Get a Stanley knife to sharpen your pencils. A soft putty rubber, a hard rubber. The rubber is not just for erasing its a tool for smudging and dragging. Creating.
Get a cheap makeup bluusher brush for dusting off you rubbings, its handy.
4 – Starting. Well this is an ominous subject. I’ll tell you something. When i was a kid I would copy animals out of nature books. A squirrels eye, a wee bit of his face. Then working up to maybe more of his shape. The big break through for me was getting visual sense of filling the whole page. Putting him on a branch, putting in some leaves..pretty soon you have filled up the page.
Its a picture. A big part of things is getting used to the size of the paper your working on. Knowing the space and having a feeling for what your wanting to do.
Once i had conquered the page it was easy. Then one day you buy a bigger bit of paper….
Start small, i mean if your at stick man stage just go slow. National geographic magazines are a fantastic source to visual info. Your looking at pictures taken by very talented photographers. This will open your mind to view points and angles that will inspire you and you can apply to your ideas.
The main thing I think is deciding. do not just go in making lines here and there. Stand back & look. You learn a sense of seeing the line, in some ways you have to have a general idea of the whole picture.
That usually changes as the picture progresses, a major element I believe is a picture presents itself.
You are the transmitter of something higher. Thats how I feel. So dont be scared to change direction of the picture.
I mean you can do a ‘beautiful’, technically, water colour of a garden or whatever but you know what..? ITS GOT NO SOUL
If you want to do art, the things you will produce that really satisfy your heart are those pictures that come out of bloody nowhere.
And they dont come from bloody nowhere…
Its a combination of you perfecting your skills and your in-tune-ment with the universal river of positive energy that is flying around all the time. And sometimes you sit down and make some marks on a page with a wee idea in your head about a tree and bam your away on some other journey. Be open and look for what it is trying to tell you.
Infact that so important you get that advice twice..look for what it is trying to tell you. The clues are there.
Rules. Ah well im not one for rules, that should be tips to remember.
The picture wants to be born. It wants to help you.
Listen to your voice and instinct. Thats another thing that is asleep / dormant. It will also wake up.
Your making a line and if you get the inclining I don’t like this…STOP. Stand back, look and asses. Maybe work on a separate area and come back to that part.
I do like to dot around working on different areas. This way the picture takes shape as a whole, if you plough on in one area the rest of the picture becomes undeveloped and makes harder to do. If it builds up slowly you can make judgements easier.
The picture is layers. Very important. Dont get distressed with a bit not quite looking like you want straight off. Allow yourself time to see. Work here, work there, stand make make decisions. LOOK.
Make Bold decisions. Bob Ross the painter is excellent example of this rule. Be brave. Making good decisions comes with the experience of making bad choices. The skill is learning to notice when your making a bad choice and rectifying it.
The artistic eye? why does something look nice, its all about balance and i think numbers. In a way its part trickery. I could put a ugly misplaced tree trunk in a forest picture but you can balance it out with something else over……. here maybe.
It easy once you learn.
The picture is a journey. You can deliberately guide someone in by hinting directional clues. This is something I enjoy.
You want a favourite tip. Use a bit of glass, or clear plastic and draw your tree trunk on it. Just a bold black line a rough branch whatever. Standing back blurr your eyes and hold the glass infront of the picture at whatever distance so it fits in. If you can focus on both a the same time you can move your trunk / branch around seeing where it looks best, at what angle. Then when you find that sweet spot you can put the tree in.
UPDATE – Another tip is before you remove the cellophane from a canvas you can draw on it in marker pen, gives you a chance to try out a loose sketch of your idea on the canvas before you really start. Gives you a chance to get used to the size and spaces. Take a photo if you come up with anything as a reference. And draw on a center vertical / horizontal line so you have a rough grid to help the reference.
Blurring your eyes, also on a separate note is a good thing to do at those decision moments. Stand back and really fuzz up your eyes, this allows you to see less details, emphasises the dark areas and in a way you can see shapes easier, what looks good, what stands out in a bad way. What area looks a bit empty. Thats a very handy thing to practice.
Dont always go with your first thought, maybe if you look a little longer you see what your really wanting to do. Its not a race.
You can paint bam bam fast and fluid but at a certain point you can take that too far. You learn when that fast period is past, you need to stop and assess what your working with.
This was meant to be a somewhat considered structured document but there are too many subjects and they all kind of cross over into each others its very disjointed I know.
5 – Well where am I. We had starting. Well finishing, you gotta know when to stop. I think the picture reaches a point you can say Yes that is done.
Sometimes that dosnt seem to come, maybe you went past it. Once the picture is taking shape, and this will probably not be on the path you had initially planned, you will be now formulating a finished vision.
Stop & look. The closer to the end the more you should be stopping & considering. Till your down to a wee mark here, a tiny just a wee smudge there.
Never make a mark if you dont feel its right.
You know and the picture will tell you.
You can draw, there is a picture in your heart. There are thousands of pictures. They want to come out and the joy of sitting down when a picture is done and you look at this image that was previously a blank sheet of paper, the joy of that moment is quite something.
You dont want to be a boring artist? Have vision, get better, plan things, think of things. Think about pictures & build them up in your head. Work backwards, have a image and break it down into stages. What is your base, then you add some…. and this and that. Stages, layers.
Be open to a totally new plan. If your lucky the river of magic positive energy will help you paint something you didn’t expect.
Say balls to your primary school and draw once more. Get some crayons. Make a right mess. Get you hands dirty.
Have fun. Go to a gallery and be inspired by ideas, be inspired by the lack of ideas.
All it should ever be about is felling good, its a relaxing process, its exciting when it starts to flow. Take time every day & you can do it.
Put some music on.
And I guess separate to even putting anything onto paper awaken your creative mind.
You need to stock up on visual food, and you can do that walking to work, that part is free.
Take a walk in the woods. Have things at home set up, stroll around and maybe plan a picture. When you go home sit and look at the blank page. Stare at it, sometimes visualise your image onto it, or as I do just look at the page, wait for something to come. Because it does.
Keep your work space clean & tidy, put your things away when your done and look after your tools. Look after your hands, your mind & your heart.