25 days later

20 May

So 25 days into the exhibition with only 5 to go, finishing on Friday evening.  I’ll be hot tailing it up to a westend cafe Offshore on Friday night for the opening of the ‘Braw’ exhibition where one of my paintings will be hanging along side 40 other artists.  The Gibson Street Gala is the following weekend where I will have a table, if weather is good I shall do some painting and have my prints for sale.

So in a final push to get folk into see this show before closing on Friday!

peter gillies exhibition roots at veneer gallery

Ive been pretty much standing outside for most of the time trying to engage with folk, its the only way to get people to come in otherwise they just breeze on by not noticing. Working 10am to 10pm for the last 25 days I am shattered so in a way looking forward to the end but it would nice to just keep this place. I could do a lot here.  But on this occasion I should probably quit while I’m ahead and not gamble on another month. Its been okay, but the only reason I have had anyone in at all is that I have stayed open late everyday and been outside engaging. Otherwise it would of been a waste of time. Even I cant keep up that kind of pace so a well earned rest for a few days me thinks!

I certainly enjoy being here to represent myself and meeting people. I think for the future I will work quietly away in a more low key studio and every couple of months put on a show like this to present the new works. I have been painting over my time here and have developed a new idea that I shall be expanding on next. So the new show is already underway!

I moved out of the Hidden Lane last week, its been very refreshing to be more engaged with the street and life as opposed to my quiet studio. Not sure where I shall go next but looking into the various Wasps studios. I will certainly put more time into researching the various options as I am looking for a specific environment.

I cant stand closed doors, unused studios and no communication. Unfortunately that’s the way a lot of studios seem to drift into from what I have seen and I don’t need that. I want somewhere with a bit of life.

So get yourself down here before Friday evening to see the show people! Tell your friends!

WORD !!

www.gilliesart.com

 

 

 

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10 May

桜

桜 Cherry Blossom reaching a stream – my final blossom painting. Number 4.
I have made 3 single board paintings and a 3panel picture, all in this nature with slight varied differences in style & effect.

Veneer Gallery Exhibition

3 May

Hello WordPressers! 920595_10151568354815380_1385910247_o

Thats me at the end of my first week of the exhibition at Veneer Gallery in Finnieston Glasgow with three to go.The opening evening was great and loads of friends made it over, from Glasgow Edinburgh & Dundee.

Its very refreshing to be on main street as opposed to being tucked away in the Hidden Lane. The busy street life, folk passing in the street. A new corner shop to buy my milk. A new sandwich shop to get a bite to eat from. I am very much enjoying being in this new space and feel somewhat invigorated!

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In the run up to the show I was very busy getting the last few items framed up and as usual decided to try for one more picture to include in the show.  Altogether I am very pleased with the collection.This has been my most prolific time spent painting in a few years. Its also very nice to have the glass work chained up in the big windows as I always intended for the first time.  The gallery frontage faces south so I have the sun shining in all day till late in the evening.  Well thats when the sun does shine which its does occasionally in Glasgow but for the last couple days we seem to have reverted to cold and rain.  I am sitting today wearing my big wool jumper normally reserved for the coldest of winter days.

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Its funny watching the folk on the street passing by. It seems so difficult to make them feel like they can just come in, its a very British thing and to an extent the Scottish mentality. Some hesitate at the window, maybe peer inside but seem reluctant to enter. Everyone is always in a rush to get somewhere, how busy is your life if you dont have 30 seconds to look at some art? I guess maybe they don’t want to come in in-case they hate it. I’d be of the curious nature that I would go in and maybe see the best thing I had ever seen or indeed the worst.  I like the challenge and possibility that something may impress or disappoint. Either way you come away with some kind of impression.

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The first week has been spent easing into the space, moving some things around and bringing additions from studio HQ. I have a number of paintings which although they may be old to me they are new to someone who has never seen my work. So the main focus of the space is on all the new work and I have a collection of my favorite older paintings.

Its been fun playing different types of music in the gallery. As its pretty spacious with no sound absorbing large objects the acoustics are rather nice. Jazz works the best, and Lou Reeds Walk On The Wild Side sounded great. Anything with guitars and more in a generally rock orientated direction does not sound good.

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I have added all the new work to my web page available in print format either mounted, framed or blockmounted. The new work with the Bird & Moon scenes and the blossom paintings I think will look especially good block mounted. I guess its a slightly more modern presentation as opposed to mounted and framed. Also it suits the style of the paintings with their Japanese / Chinese flavor, the print mounted direct onto wood with the sides painted black. Its sharp, crisp and modern yet also looks like maybe how woodcuts would of been presented a long time ago, in my mind at least!

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Here is the catalogue I made up for the show, there is extra things here that are not included and my prints and such. Check out the new prints on the web page along side all the older work. Its filling up quite nice now.

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Come along if you are in Glasgow, and tell your friends to come and see the show

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Veneer Gallery Presents ‘Roots’

19 Apr

Veneer Gallery Exhibition

Pleased to announce my first solo exhibition ‘Roots’ to be held in the new gallery Veneer, located just a block down from my studio.  I have produced more work in the last four months than I had in the last few years! Showcasing my collection that was in Christo’s Gallery for the two weeks over Easter and a number of new paintings that have spun off from ideas generated in producing those paintings.

Also on display for the first time in exhibit a number of framed stained glass panels displayed as I intended for the first time.

PRESS RELEASE

Press Realese Gillies Art Exhibition 26.4.13 Veneer Gallery Glasgow

Hope some of my readers can make it down for the opening and if you have friends in Glasgow do let them know. The show previews on Friday 26th April from 6/9pm and will run for 4 weeks.

April

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Hello.

Into April now and I have been painting a lot recently. My last post was just before my exhibition at Christo’s Gallery in Glasgow and as I wanted to prepare a number of new works just for that with not a lot of time I decided to try working on 5 pictures at the same time over about 3 nights, 2 days varnishing and hanging in the space of Monday to Friday.

I like to work pretty fast anyway and tend to do pictures in one sitting unless there is a lot of pen work which just takes the time it takes but the main structure goes in fast.

After seeing a web cam post by the Scottish comedian Limmy on a site called Justin.tv I figured to set up the cam in the studio while I worked on the pictures over the 3 nights. I really tried not to give it too much thought and just leave it running, my mike is rubbish so a thought for the future would be a better mike so I can tell folk what I am doing. Other wise it looks like I’m just standing looking at a board for ages, but I like the idea and might try just have it on all the time.

Anyways with about about 48hrs painting time over the 3 days I got 5 pictures done which was pretty cool and I liked the collection I put together. The show was up over the Easter weekend break which tends to be pretty quiet so I dont think they were to busy, I didn’t sell anything but you never know and sometimes it takes months for folk to remember and look you up. Sow the seeds.

These are just mobile phone shots, the actual pictures will be properly photographed and be available as prints by the end of the month.

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I did a couple paintings years ago with dark eagle type silhouettes swirling around but I have never done just a regular bird on a branch type picture. I think they turned out great. Some shots from the gallery -

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And while the show was up 2 massive canvases arrived that someone donated to me during my appeal about 2 weeks before the exhibition as I was struggling to get the materials together. Its been a tough start to the year!

I started both canvases at the same time early on a Sunday and one I decided to do a landscape like the image above, dark snow capped hills with a northern lights style sky. I really really like night time landscapes, I definitely favor dark pictures I think they are interesting to look at. This is the first one, not the best resolution but you get the idea, the spray sky worked a treat I was getting some nice movement. The colors I chose were also from donations for materials.

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From the donations in the two weeks in the run up to the exhibition I was able to get 3 cans of Montana Spray Paint, 3 posca paint pens a new fine brush and a couple tins of varnish, also allowed me to do some prints and order up a number of frames for the work. The two canvases were ordered by Frazer Shaw, a fine fellow from the island of Islay.

Material Donations were received from Anna Crow, Mel Rogerson, Michelle Campbell, Claire McMaster, Emmie Radford, Fern Purdie so a massive THANK YOU to these people.

Without these gifts I simply would not of been able to produce any of the work in this post.

I also had a sale last weekend to clear the decks of all my glass produce as I would like to have a fresh slate to work and I sold off a number of paintings and prints to make space for new work. So another thankyou to everyone who came down to that over the Easter weekend.

The creative process has to be fluid, for it to flow. Aside from my mental state and creative ideas appearing the biggest restriction is finance, that brings everything to a halt so in this moment these donations were a life saver. My idea was basically crowd funding but thought friends and the followers of this page and my Facebook business page. I’d love to buy an artist I liked a brush or a canvas!

With the other canvas I shall use the photos I took during production. I started by doing the base spray paint work on both and worked from there. The first one was the landscape and the second this happened.

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So with the background work I did the landscape first and then was wanting to do something new with the second. As I looked at the canvas for some reason I thought about not using it as a square. So I set up the clamps and some lengths of wood on the drawing board and set it like this….plan!

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This format totally changes what works on the canvas. Having the points at the side creates this whole other option for layout of an image. I had no idea at this point what to do. After some thinking I figured on doing a leaves floating across on a river idea. After some more thought I got onto thinking about blossom floating and this made me think of the classic Japanese pictures of coy fish / carp swimming under the water with floating blossom. This could look cool. So on a canvas size the carp would have to be massive. Waaaaay beyond my normal scale for painting.

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Using my technique of drawing on glass to visualize the placement I worked out where to put the carp. Once they were in I thought about how to do the blossom. I figured on trying to make the fish almost disappear under the blossom. So I started making marks working out my color and style for the blossom petals.

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The blossom came together by the end of the day and I had the general structure down on the first day. The next day I used a new technique of a milky wash to create the water movement. I had thought it was looking pretty cool on its own but wanted to define it more. Also the idea there are more dimensions.

One – The fish, under the water.

Two – The ripples, definition of the water.

Three – The blossom, sitting on top.

The wash worked out great and the rest of the week was spent outlining the blossom to highlight it more and the ripples and adding some well places extra clusters of blossom. It didn’t change much from here.

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This will be photographed and available as a print by the end of the month. I think it will look awesome as a block mount, probably pretty large maybe 40 or 60cm squared. I like it as a diamond as it has more flow but it actually looks good as a square but why be traditional!

Using the water wash technique I trialed in this I was working on these two today. A night landscape with the wash as the sky and another blossom fish number. I am formulating some ideas that will go into these.

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I will be finishing these off over this weekend. I’m thiking of cutting the landscape top off to make it square, the llow position of the hills makes the sky to much in proportions.

This is a big post eh!! What else, I always publish then remember loads of things I wanted to put in.

Just before the exhibitions were lined up I was feeling pretty down about the whole mission. The media news is so depressing, our times are grim and in the face of world financial crisis I think I can swan around dedicating myself to painting! Really? And I spend more time worrying about the immediate problem day to day keeping the studio going I cant really focus on the creative process. And as I am hitting a real swing in terms of will and skill to produce I am torn between the desire and requirement to continue against the heartbreak of it being such a battle. And in the end I have to face the question if I am not making it more difficult for myself. Do I even need the studio, the concept of what I want it to be might not even ever work, maybe just in this location, maybe at all. Do I pull back and gather my troops so to speak, re-evaluate and try something else. Or keep on. And it has to be considered at what cost (and I don’t mean just financial).

Eventually its hard to distinguish where you stand, and is the battle you are fighting worth fighting. Am I making it more/too difficult for myself? So just before the exhibitions were organized I think I was the lowest point I have been since 2005. But it all changes in a moment, I get a glimmer of something and pull myself up. But how many times do you/can you go through this?

On the verge of quitting the studio at the lane and some new people have moved in which makes me want to hold on. A vintage clothes seller who had read about me and the lane here and decided to get a studio here! Now thats pretty cool. Another glass person and a collage artist. The more retail / artists here the better it could really become something. I think it will work. But the there is whispers in my head that I might be a gamble addict just wanting one more spin. ARGHHH! And then I go and do a painting I love and I think damn it I need to be here, I need to be able to show people these pictures. I have to paint.

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Anyways thats all my news for now. Get in touch if there is something you would like to ask I dont bite! I try make the information on the web page as clear as I can but if something is not clear just ask!!!

Comments welcome people, I don’t mind rambling out there to myself this blog actually acts as a good (well quite frankly my only) source of thought processing, but if you have any profound words of wisdom lay em down!

Forests, Mountains & The Moon

17 Mar

So busy week last week, the prints all got picked up to go to The Juno Design Gallery in Dunoon for the next 2 months and I was really happy with how the large format prints looked.

I got my picture ‘January Moon’ framed as it was one of the 3 going down to The Bluemoon Gallery in Tunbridge Wells, Kent. Being the first board painting I have done I wasn’t sure what frame to go for, had a rough idea in mind but what I got far surpassed my visual  ideal.

A black thin edge over the picture with a deep width so it stood out from the wall by about 2inches. It looked so awesome I instantly set to finding out where to get more boards from & have ordered up 12 of the same size & am working on the first 4 for my Christo’s Gallery in Glasgow at the end of this week. The lady who owns the gallery wanted to know what I would be calling the collection, as I wanted to produce some new images specially for this and they don’t exist yet I was unsure about how to entitle the show…. After a think & inspired by the new picture I went for ‘Forests, Mountains & The Moon’

January-moon-framed

I have been working on some ideas along this theme, and this is wee sneak preview of one ideas. The first time I have ever put a bird in a picture….. I have done eagle silhouettes before ages ago but never really a general bird on a branch type thing.

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So with the pictures off to Kent safely wrapped up as best I could to protect them I am working on the Christo’s material now. It makes me feel quite frankly sick entrusting my pictures in transportation to someone else. I always take things myself because if I damage it its my own fault. Having a third party do this is not comfortable! But as the gallery is so far away there is no way around it. Fortunately the guy in the studio next to mine was traveling to London to deliver a piano this weekend so he took them for me. A great deal safer than a courier but still outwith my control.

A new gallery space has opened up along the street which is great news. The more art things happening around here the better. The opening show was by a guy called Johnny Shaw. An exhibition of pencil drawings, I have seen a bit of a trend recently in these photo realistic pencil drawings. Technically very very good but sometimes I wonder whats the point. If its so close to looking like a photo it may as well be a photo, unless it still captures an element of magic, soul or spirit. Some of Johnnys drawing did have that little strange element and I thought it was really good. What I also liked was there was just pictures up, no text art jargo chat BS. Let the art speak for itself.

I do a fair bit of pencil drawings myself and some of his massive pictures inspired me to look into getting a big roll of paper. I’d love to try a massive forest picture. So when funds allow that is def on the list. Something along these lines…..

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silentforest3So thats all my news, just focused on the next few days and getting the new pictures finished. Next post will be from Christo’s Gallery Glasgow.

Arriving next week…. Forests, Mountains and The Moon…. Cant wait pop in from Friday 22nd until April the 5th.
january moon japanese painting
I did get several donations and sales during the last week to help me get the materials for all this work together. That continues to be most welcome so take a look at the web page and anything you order will be sent with extra love. Small donations also gratefully received for art materials, massively gratuitous donations also welcome of course or you could just buy all my paintings.
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Im Giving Her All She’s Got Captain!

7 Mar

Word up people.

Here is the script…..
I have an exhibition opening next week in Dunoon, then I’m sending paintings down to London in 10 days and have two exhibitions starting in April with more to come later in the year.

*UPDATE* The very next day after posting this I got offered a whole wall to exhibit in a very nice gallery in Glasgow starting in two weeks time!

I moved to Glasgow last year to move my art up a gear, and its been nothing but hard work getting to this stage but its finally looking positive.

Now with actual exhibition offers coming in I need to produce new work, get paint, canvases, boards, varnish, pens, frames & mounts, couriers, shipping, photographs, all sorts.
I’m requiring hundreds of pounds worth of materials & after 7rs of graft working this out I am really broke as hell, so… basically I call upon anyone that likes my work to either

  • make a couple quid donation via the newest blog post on the web site where you will find a paypal donate button
  • buy a print from the web page there are over 20 to choose from in many formats and price brackets.
  • share a picture from my facebook page to spread the word.

If you like my work you can have a direct part in taking it forward. Now is the time. Help greatly appreciated.
http://www.gilliesart.com/spring-2013/

Here is the three newest pictures I got back from the photographer last night. There is a wider philosophy I will go into further next post but part of the spirit is the better I do the more work I put to the photographer, the printer, the framer. The better I do, the better they do.

Ive done so much work in the last 7yrs this last hurdle could be the start of a whole new race. A race where I really get to start painting.

January-moon

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